British Panto is a unique British cultural phenomenon that started with Commedia del'Arte and evolved into a hugely popular family show lasting over 200 years. This British holiday tradition is like the American Nutcracker: a big, spectacular crowd-pleasing show that attracts people from all walks of life, some of whom only visit the theatre that one time a year.
Like the Nutcracker, British Panto features a memorable fairy tale, a gorgeous set, and a huge cast, but unlike the Ballet, it is also a hilarious musical comedy aimed at adults as well as the kids. From the very start, the audience participates in the entire show, cheering, laughing, booing, and shouting responses in a cleverly-crafted interplay between actors and audience.
The Panto is always based on a classic fairytale or legend, and yet adults are
amused by its topical comedy and wholesome sex-appeal. Back in Victorian times,
canny producers hired shapely actresses to masquerade as boy cavaliers or heroes
dressed in tights and wasp-waisted tunics that caught the eye of even the most
respectable fathers and teenage boys.
And no one can resist a chuckle at outrageous theatrical Panto Dame, played by a
man; at the two-man-horse comedy dance; at the elusive Ghost or at the clownish
slapstick routines. By the end, there is barely a dry eye in the house- because
British Panto tells a tale of old-fashioned morality in which good triumphs over
evil and it reminds us that the true magic of Theatre lies in the hearts and
souls of the audience.